Includes bibliographical references and index and Includes filmography: p. 331-339
Contents:
Suggestion, hypnosis, and crime : Robert Wiene's The Cabinet of Dr. Caligari (1920) / Stefan Andriopoulos -- Of monsters and magicians : Paul Wegener's The golem : how he came into the world (1920) / Noah Isenberg -- Movies, money, and mystique : Joe May's early Weimar blockbuster, The Indian tomb (1921) / Christian Rogowski -- No end to Nosferatu (1922) / Thomas Elsaesser -- Fritz Lang's Dr. Mabuse, the gambler (1922) : grand enunciator of the Weimar era / Tom Gunning -- Who gets the last laugh? : old age and generational change in F.W. Murnau's The last laugh (1924) / Sabine Hake -- Inflation and devaluation : gender, space, and economics in G.W. Pabst's The joyless street (1925) / Sara F. Hall -- Tradition as intellectual montage : F.W. Murnau's Faust (1926) / Matt Erlin -- Metropolis (1927) : city, cinema, modernity / Anton Kaes -- Berlin, symphony of a great city (1927) : city, image, sound / Nora M. Alter -- Surface sheen and charged bodies : Louise Brooks as Lulu in Pandora's box (1929) / Margaret McCarthy -- The bearable lightness of being : People on Sunday (1930) / Lutz Koepnick -- National cinemas/international film culture : The blue Angel (1930) in multiple language versions / Patrice Petro -- Coming out of the uniform : political and sexual emancipation in Leontine Sagan's Mädchen in uniform (1931) / Richard W. McCormick -- Fritz Lang's M (1931) : an open case / Todd Herzog -- Whose revolution? The subject of Kuhle Wampe (1932) / Marc Silberman