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LEADER 12944cam 2200457Ii 4500
001
ocn968763742
003
OCoLC
005
20210816125700.0
008
170116s2016 gw a 001 0 eng d
020
a| 9783959050814
020
a| 395905081X
035
a| (OCoLC)968763742
z| (OCoLC)957303564
z| (OCoLC)999576015
040
a| ERL
b| eng
e| rda
c| ERL
d| HEBIS
d| OCLCO
d| TXI
d| OCLCF
d| TFW
d| OCLCO
d| OCL
d| CAD
d| YDX
d| BTCTA
d| UNH
d| ERASA
d| OCLCA
d| OCLCQ
d| U@M
d| ZVP
049
a| ZVPA
050
4
a| NK1505
b| .P35 2016
245
0
0
a| Taking a line for a walk :
b| assignments in design education /
c| conceived collaboratively by Nina Paim, Corinne Gisel, and Emilia Bergmark ; edited by Nina Paim, coedited by Emilia Bergmark ; accompanying essay (Epilogue) by Corinne Gisel
250
a| First edition
264
1
a| Leipzig :
b| Spector Books,
c| [2016]
264
4
c| ©2016
300
a| 224, 48 pages :
b| illustrations ;
c| 26 cm
336
a| text
b| txt
2| rdacontent
337
a| unmediated
b| n
2| rdamedia
338
a| volume
b| nc
2| rdacarrier
500
a| Includes index
500
a| "This publication departed from the exhibtion: Taking a line for a walk: an exhibition about assignments in design education - Moravian Gallery, 19 June - 26 October 2014, 26th International Biennial of Graphic Design, Brno 2014"--Colophon
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a| Dear reader -- Assignments in design education. Your first assignment / Per Andersen and Charlotte Jensen -- Adam and Eve / Hansje van Ooijen-- Looking / Corita Kent-- The human figure / Walter Crane and William Blake Richmond -- The nude / Johannes Itten -- The cube, the bottle, the boot / Kurt Hauert -- The horizon / Tine Melzer -- Drawing restraint / Guy Meldem -- Awkward drawings / Chloé Briggs -- Drawing form memory / Joël Vermot -- Your brain wants order / Bruno Lemgruber, after an assignment by Alisa Zamir -- Nothing is the same / Corita Kent -- The leaf translation / Kurt Hauert -- Organic forms / Bruno Munari -- Graphokinetics / Leonardo Dutra -- Dancing lessons / Chris Pullman (teaching assistant: Qiung Li)-- Dots / Paul Rand and Alvin Eisenman -- Playstation / Guy Meldem -- Interpolated shapes / Herbert Kapitzki -- Tactile chart / László Moholgy-Nagy -- The qualities and kinds of papers / Franz Zeier -- Constructive thinking / Josef Albers -- From plane to volume / Luiz Antonio de Saboya -- Form and space / Mary Vieira -- Proportion / Alvin Eisenman -- Antiprimadonna / Tomás Maldonado -- Colour square / Wassily Kandinsky -- Colour scale / Anthony Froshaug -- A colour system / Julia Born -- Colour research / Matthew Monk -- Inquiry into the phenomenon of colour / Michael Renner -- Farben on demand / James Goggin -- Moiré / Guy Meldem -- Printing kit / Robin Bagihole, Neil Bassant, Tony Diegen, Mike Robbins adn John Tetley -- Printing machine / Unknown author -- Photogram / Vladimir Terentyev -- The egg and the light bulb / Max Mathys -- Photographic constraint / Sean Kaye and Jenny West -- Twenty-six characters / Radim Peško -- Elementary lettering / Hermann Eidenbenz -- Modular type / Laura Meseguer -- A4 alphabet / Joël Vermot -- Type gymnastics / Dinamo (Johannes Breyer and Fabian Harb) -- Alphabet catwalk / Tania Prill -- Soap type / Alessandro Segalini -- Type safari / Clara Dutilleul, Jules Estèves and Moonsick Gang -- Zoo letters / David Bennewith -- A letter from Sancho Panza to his wife / Jérôme Knebusch -- A typeface for Beyoǧlu / Sadik Karamustafa with Umut Sudauk -- The things between love and hate / Laurenz Brunner and Radim Peško -- Transform each letter of the alphabet into the next / Hans-Rudolf Lutz -- Collaborative type design / Loraine Furter and Eric Schrijver, on invitation of Ellen Lupton -- Collaborative alphabet / Moniker (Luna Maurer, Jonathan Puckey and Roel Wouters) -- Human algorithm / Neil Donnelly and Caspar Lam -- The perfect human / Henk Groenendijk -- The fanzine factory / Joël Vermot -- Circuit training / Christine Correll and Rebecca Stephany -- Riso ping-pong / Sean Kelvin Khoo, Nicole Ong, and Kong Wen Da Gideon -- I'm a manic, maniac / Ines Cox -- Typographic quote / Onur Yazicigil -- Broadside quote / Paul Shaw -- One type one size one format / Hans-Rudolf Lutz
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a| Typographic hierarchy / Tony Pritchard -- Typographic Notes -- Typesetting review / Jamie Steane and Jamie Curle -- Typographic dictionary / Michelle Nelson -- Typefaces (About) / Sam de Groot -- A new skill / Yotam Hadar -- Digital craftsmanship / Chris Ro -- Design manual / Nicole Udry -- Free project / David Keshavjee and Guy Meldem -- Useless / Mikk Heinsoo -- Introduction to visual semantics / Gui Bonsiepe -- Visual semantics / Paul Rand -- Semiotics / Chae Ho Lee -- Form and meaning / Inge Druckrey -- Sensations / Eva Moulaert, Renata Venhorenbeeck, and Joris Verdoodt -- Design with a smile / Krasimira Drumeva -- For a rainy day ... / Henrik Birkvig -- Airline logotype / Philip Burton -- Good things always come in twos / Diego Bontognali and Guillaume Chaurd -- A bird in the hand is worth two in the bush / Rebecca and Mike-- Story in pictures / Herbert Bayer -- Train of thought / Hazel Rattigan -- Untold narrative / Marcus Leis Allion -- Visual narrative / Izzy Berenson -- The demonstration / Photo staff -- "If it bleeds, it leads" / Floor Koomen -- Score / Thomas Ockerse -- Elevator pitch / Brad Tober -- A brief summary of Christopher Booker's "The Seven Basic Plots" -- It happened one night / Brice Domingues -- Cut / Manuel Alcala -- The end / Mikk Heinsoo -- Translation / David Blamey and Sara de Bondt -- Translation / Lise Hansen -- Point zero / Anni Albers -- Your speculative self / Joseph DeLappe -- Arcturus IV / John Arnold -- An ideal object / James Langdon -- The hoax / Frank Culshaw -- Crime scene / Joshua Trees -- Forgery / Léo Carbonnet -- Portraits / Fan Wu -- Typographic portrait / Georgios D. Matthiopoulos -- Graphic portrait / Vincent Perrottet -- Self-portrait / Bob Gill -- Series of self-portraits / Theodor Liho and Svetlin Balezdrov -- Identity / Mikk Heinsoo -- Identity / Alvin Eisenman -- Becoming the other / JOFF and Julia Born-- Unknown-knowns / Lise Hansen -- Personal narrative diagram poster / Katherine McCoy -- Memoir / Elizabeth Resnick -- Poster warm-up / Ines Cox -- Poster problem / Kohei Sugiura -- Welcome / Geoff Fowle -- Surprise / Neil McGuire -- Reading looking / Lise Hansen -- Interactive reading / Amy Papaelias -- Stories as networks / Neil Donnelly and Caspar Lam -- The total library / Experimental Jetset -- Library of formats / work-form -- The format that wants to spread / Moniker (Luna Mauerer, Jonathan Puckey, and Roel Wouters) -- Cookbook / Paul Shaw -- Wallpaper / Walter Crane -- Currency / Chae Ho Lee -- Flag / Rebecca and Mike -- Packaging / Audra Buck-Coleman -- Marketing / Audra Buck-Coleman -- Shopping bag / Neil Donnelly and Andrew Shurtz (after an assignment by Gerry Beegan)
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a| Karaoke / Europa -- Render all text and image information of a newspaper's front page in black / Hans-Rudolf Lutz -- The daily me / Floor Koomen -- Daybook / Maziar Raein -- Timecard / Samantha Haedrich -- Graphic representation of time / Greer Allen, Alvin Eisenman, and Jane Greenfield -- A moment in time ... / Catherine Dixon -- Way-finding / Marcus Leis Allion -- Push/pull pictogram / Mijksenaar -- Signalism / Experimental Jetset -- Cartographism / Experimental Jetset -- Public notice / Žiga Testen -- The table / Julie Peeters -- Ordering / Anthony Froshaug -- What is part of this object? What is this object part of? / James Langdon -- Encyclopaedia / Julia Born -- Atlas / vivien Philizot -- Pareidolia / Catherine Guiral -- Meaning in multiples / Caspar Lam and Yu June Park -- Wunderkammer / Jef Cuypers, Jan Hespeel, and Peter va de Cotte -- Museum of imaginary design museums / Martin Conrads and Franziska Morlok -- Exhibition about exhibitions / Jon Sueda -- Books about books / Laurenz Brunner -- Fiction and it context / Sandra Chamaret -- Reprint / Julian Bittiner -- We might have been born yesterday, but we stayed up all night / Sam de Groot -- To learn how to find, one must first learn how to hide / Olivier Lebrun -- Free operations / Open Source Publishing -- New models of journalism / Floor Koomen -- The book of NOZ / David Bennewith -- Post-digital is better / Martin Conrads and Franziska Morlok -- Library-as-machine / Martin Conrads and Franziska Morlok -- The most ... books / Charlotte Cheetham -- Buchmesse / Geoff and Lars Fischer -- Channel / Europa and Peter Nencini -- Do / work-form -- Respond / Daniel Eatock -- Hauntology / Mark Owens -- That joke isn't funny anymore / Sam de Groot -- The office of Prof. Boris Jirků / Peter Babák -- Independent graphic design project / Alvin Eisenman and Chris Meyers -- Extracurricular activity / Prem Krishnamurthy and Adam Michaels -- Live projects / Paul Bailey, Joanna Choukeir, Darren Raven and Catherine Smith -- Work work work / Joshua Trees and Yvan Martinez -- It's showtime / Michael Bussaer, Didier Deschrijver, and Inge Ketelers -- Cultural interfaces / Teaching staff-Note 175 -- Sustainable information / Joshua Trees-- "Nothing to do with me, mate-I'm just a designer" / Geoff Fowle -- Advocacy awareness / Elizabeth Resnick -- Contraception / Luiza Prado -- Domestic violence / Alice Twemlow -- Connecting/interacting / Jessica Barness -- Together/apart / Darryl Lim, with input from Neil McGuire and Colin Faulks -- Unfair labour / Gustavo Morainslie
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a| An hour, a month, a year / Brave New Alps (Bianca Elzenbaumer and Fabio Franz) -- Eight hours / Bob Gill -- Trust me, I'm a designer / Maziar Raein -- Strategies of the invisible / Indeed (Paula-Marie Kanefendt and David Voss) -- Design without / David Blamey, Neville Brody, and Cecilia Wee -- Design and death / Aaron Seymour -- Design and memory / Simone Mandl-- Design and others / Shane Haseman -- Design and place / Jacqueline Gothe -- Reading and writing the urban landscape / Anne Bush -- Losing one's way / Jonathan Pierini -- Culture change / Chris Ro -- Sketching gender / Joanna Rubin Dranger and Johanna Lewengard -- Oral history / Chae Ho Lee -- Creative history / David Blamey and Sara de Bondt -- Reference library / Joanna Rubin Dranger and Johanna Lewengard -- What should design criticism look like? / Alice Twemlow -- Graphic archaeologies / Oliver Klimpel -- Future archaeologies / Monsters (Pavel Fric and Michaela Labudova) -- Writing assignment / Marcos Martins -- Massive content / Ellen Lupton -- What is graphic design anyway? -- Feedback sessions / Joanna Rubin Dranger and Johanna Lewengard -- The worst designer I know / Leonardo Sonnoli -- Questioning design / Sulki Choi and Min Choi -- Manifesto / Alice Twemlow -- "And to the earth be peace." / Catherine Dixon -- Antithesis / Julia Born -- Antitheses / Rob Giampietro -- Teacher's college / Rob Giampietro -- Speed-teaching / Oliver Klimpel -- Really casually arranged / Brave New Alps (Bianca Elzenbaumer and Fabio Franz) -- Collective collection / Prem Krishnamurthy -- Notice / Sophie Demay and Ken Kirton (Hato) -- Rule the school /Floor Koomen -- Rrriot / Suzanne Martin -- It's called obsession. Can you handle it? / Kurt Eckert, Alex Hanimann, Matthias Michel, Sarah Owens, and Sereina Rothenberger -- Le magnifique avventure / Åbäke and Yaïr Barelli -- Assignment to the academy / Parallel School (Robert Haselbacher, Robert Preusse, Stefanie Rau, and Till Wittwer) -- The perfect assignment / Bart de Baets -- The assignment assignment / Julia Born and Floor Koomen -- The assignment redefined/ The editors, after a phone conversation with Bob Gill -- Epilogue. Chapter 1. Lost and found -- Chapter 2. Form and friction -- Chapter 3. Above and beyond -- Appendix
520
a| This book focuses on the use of language in design education through the lens of the assignment, showcasing close to 300 contemporary and historical assignments ranging from the Renaissance up to the present, including Eugene Grasset's Methode de Composition Ornamentale from 1905 and British graphic designer Ken Garland's game Connect created in 1969. This rich document provides an overview of the development and evolving approaches to graphic design instruction
590
a| BGCFOLIO
650
0
a| Art and design
650
0
a| Language and languages
650
0
a| Art
x| Study and teaching
700
1
a| Gisel, Corinne,
e| contributor
700
1
a| Paim, Nina,
e| editor
700
1
a| Bergmark, Emilia,
e| editor
710
2
a| Moravská galerie v Brně,
e| host institution