Hollywood Arensberg : avant-garde collecting in midcentury L.A.

Author:

Nelson, Mark, 1967-

Format:

Book

Language:

English

Imprint:

Los Angeles : Getty Research Institute, [2020]

Subject:

Arensberg, Walter, - 1878-1954 - Art collections
Arensberg, Louise S. - (Louise Stevens), - 1879-1953 - Art collections
Art - Private collections - California - Los Angeles
Art - Collectors and collecting - California - Los Angeles
Art, Modern - 20th century
Indian art

Contributor:

Sherman, William H. (William Howard), author
Hoobler, Ellen, author
Getty Research Institute, issuing body

ISBN:

9781606066669 and 1606066668

Description:

xv, 431 pages : illustrations (some color) ; 29 cm

Bibliographic Note:

Includes bibliographical references and index

Contents:

Foreword / Mary Miller -- Preface / Mark Nelson and William H. Sherman -- The king and queen surrounded : the Arensberg collection in context / William H. Sherman, Mark Nelson -- Hollywood Arensberg : a reconstruction of the home and art collection of Louise and Walter Arensberg, 7065 Hillside Avenue, Los Angeles, California, 1927-1954 / Mark Nelson -- Smoothing the path for rough stones : the changing role of pre-Columbian art in the Arensberg collection / Ellen Hoobler -- An interview with Walter Arensberg, undated, ca. 1951 / Kenneth Ross with notes by Mark Nelson and William H. Sherman -- Biographical notes on the photographers / Mark Nelson, William H. Sherman -- Notes on the dating and locations of photographs / Mark Nelson with contributions from William H. Sherman -- Notes on selected objects / Mark Nelson with contributions from William H. Sherman

Summary:

"During the first half of the twentieth century, Louise and Walter Arensberg not only assembled one of the world's preeminent art collections but carved out a unique place in the history of collecting. No one before them had made such audacious connections between modern painting, Renaissance literature, and pre-Columbian sculpture; and few (if any) used collecting more forcefully as a medium for artistic creation and intellectual exploration. The Arensbergs' collection first took shape in their Manhattan apartment, where--in the wake of the Armory Show of 1913--they gave Marcel Duchamp his first American home and presided over the salon that brought Dada to New York. It expanded rapidly after their move to Los Angeles in 1921, particularly after they purchased 7065 Hillside Avenue and turned it into a domestic museum and research institute. For the next three decades they put the European Avant-Garde, the English Renaissance, and Mesoamerican civilizations into dialogue in dense and playful displays whose visual patterns and hidden meanings shocked and inspired visitors--including some of the period's leading artists, writers, and curators. When Louise and Walter died in 1953 and '54, their art, library, and personal papers were divided between the Philadelphia Museum of Art and California's Francis Bacon Library (now housed at the Huntington). This book uses photographic and archival records-never before assembled or examined--to reconstruct and reinterpret the couple's collection when it was still under one extraordinary roof in the heart of Hollywood's burgeoning artistic scene. Bringing together images from many sources, some of them seen here for the first time, Hollywood Arensberg takes us on a wall-by-wall tour of the rooms where Marcel Duchamp and Sir Francis Bacon played secret games of chess on Aztec calendar stones"-- Back cover and "Hollywood Arensberg presents the first comprehensive reconstruction and interpretation of Louise and Walter Arensberg's groundbreaking collection of modern and pre-Columbian art, giving readers a room-by-room, object-by-object tour of the couple's home in Los Angeles"-- Provided by publisher

Collection:

BGC Monograph Stacks

Call Number:

N5220.A65 N45 2020

Available

c.1