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LEADER 04307cam 2200457Ii 4500
001
on1252060311
003
OCoLC
005
20211008033917.0
008
210507s2021 ne a b 001 0 eng d
020
a| 9789463728959
020
a| 9463728953
020
a| 9789048554058
020
a| 9048554055
024
7
a| 10.5117/9789463728959
035
a| (OCoLC)1252060311
040
a| ERASA
b| eng
e| rda
c| ERASA
d| OCLCO
d| BDX
d| YDXIT
d| OCLCO
d| QGK
d| ZVP
049
a| ZVPA
050
4
a| GN406
b| .M38 2021
245
0
0
a| Materialized identities in early modern culture, 1450-1750 :
b| objects, affects, effects /
c| edited by Susanna Burghartz, Lucas Burkart, Christine Göttler, and Ulinka Rublack
264
1
a| Amsterdam :
b| Amsterdam University Press,
c| [2021]
300
a| 417 pages :
b| illustrations (chiefly color) ;
c| 25 cm
336
a| text
b| txt
2| rdacontent
336
a| still image
b| sti
2| rdacontent
337
a| unmediated
b| n
2| rdamedia
338
a| volume
b| nc
2| rdacarrier
490
1
a| Visual and Material Culture, 1300-1700
504
a| Includes bibliographical references and index
505
0
0
g| Introduction.
t| Materializing identities : the affective values of matter in early modern Europe /
r| Susanna Burghartz, Lucas Burkart, Christine Gottler, and Ulinka Rublack --
t| Part 1 : Glass --
g| 1.
t| Negotiating the pleasure of glass : production, consumption, and affective regimes in Renaissance Venice /
r| Lucas Burkart --
g| 2.
t| Shaping identity through glass in Renaissance Venice /
r| Rachele Scuro --
t| Part 2 : Feathers --
g| 3.
t| Making featherwork in early modern Europe /
r| Stefan Hans --
g| 4.
t| Performing America : featherwork and affective politics /
r| Ulinka Rublack --
t| Part 3 : Gold Paint --
g| 5.
t| Yellow, vermilion, and gold : colour in Karel van Mander's Schilder-Boeck /
r| Christine Gottler --
g| 6.
t| Shimmering virtue : Joris Hoefnagel and the uses of shell gold in the early modern period /
r| Michele Seehafer --
t| Part 4 : Veils --
g| 7.
t| "Fashioned with marvellous skill" : veils and the costume books of sixteenth-century Europe /
r| Katherine Bond --
g| 8.
t| Moral materials : veiling in early modern Protestant cities. The cases of Basel and Zurich /
r| Susanna Burghartz
540
a| Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
f| CC BY-NC-ND 4.0
2| cc
u| https://creativecommons.org/licenses/by-nc-nd/4.0/
520
8
a| This collection embraces the increasing interest in the material world of the Renaissance and the early modern period, which has both fascinated contemporaries and initiated in recent years a distinguished historiography. The scholarship within is distinctive for engaging with the agentive qualities of matter, showing how affective dimensions in history connect with material history, and exploring the religious and cultural identity dimensions of the use of materials and artefacts. It thus aims to refocus our understanding of the meaning of the material world in this period by centring on the vibrancy of matter itself. To achieve this goal, the authors approach "the material" through four themes - glass, feathers, gold paints, and veils - in relation to specific individuals, material milieus, and interpretative communities. In examining these four types of materialities and object groups, which were attached to different sensory regimes and valorizations, this book charts how each underwent significant changes during this period
590
a| BGCFOLIO
650
0
a| Material culture
x| History
700
1
a| Burghartz, Susanna,
d| 1956-
e| editor
700
1
a| Burkart, Lucas,
e| editor
700
1
a| Göttler, Christine,
e| editor
700
1
a| Rublack, Ulinka,
e| editor
830
0
a| Visual and material culture, 1300-1700
856
4
0
3| Full-text
u| https://library.oapen.org/handle/20.500.12657/50499
z| Full-text, Open Access