304 pages : color illustrations, facsimiles, map, portraits 29 cm
Bibliographic Note:
Includes bibliographical references (pages 282-289) and indexes
Contents:
Susan Foister and Peter Van Den Drink -- Albrecht Dürer : artist, writer, traveller -- Dürer on his journey to self-discover / Andreas Beyer -- Dürer in motion -- Europe north and south -- Dürer's early journeys: fact and fiction / Susan Foister -- Albrecht Dürer and portrait painting in the Netherlands / Till-Holger Borchert -- Dürer and Gossaert / Larry Silver -- Court and city -- Art and entrepereneurship: Dürer's encounters with Margaret of Austria and his network at the imperial court / Dagmar Eichberger -- Dürer's Virgin and Child with Saints of 1521-2: an archducal commission? / Stijn Alsteens -- The visual legacy of the Netherlandish journey -- Image and itinerary: Dürer's drawings from his travels through the Netherlands / Christof Metzger -- Albrecht Dürer's silverpoint sketchbook / Arnold Nesselrath -- Impressions from a journey: Dürer's outlook on people, landscapes and animals / Sarvenas Ayooghi and Heidrun Lange-Krach -- Portrait drawings of a travelling artist: Albrecht Dürer's creative enterprise in the low countries / Peter Van Den Brink -- Albrecht Dürer and Martin Luther -- Luther in Dürer's journal: on the Lutherklage, its authorship and persecution in Antwerp / Jerome Stumpel -- Albrecht Dürer's late passion drawings: the Oblong Passion in context -- Albrecht Dürer's iconic image of Saint Jerome: making, meaning and reception / Astrid Harth and Maximiliaan P.J. Martens -- From drawing into print: the Crucifixion in Outline and Dürer's legacy / Giulia Bartrum
Summary:
Albrecht Durer's (1471-1528) travels across Europe in the early Renaissance led to a fascinating interchange of ideas with his fellow artists, both northern and southern. This book explores Durer's extensive influence on his contemporaries and his sources of inspiration, bringing together paintings, drawings, sculptures, glass, and prints by artists he may have encountered along the way. It also examines the complex development of Durer's own status as an artist entrepreneur and innovator in artistic theory. Durer's journal records his pursuit of commissions and details his visits to Italy, Antwerp, Cologne, Brussels, Ghent, and Bruges. During this time he produced a trove of landscapes, portraits, and animal drawings, and studies for larger projects, such as the painting of Saint Jerome that would become his most copied work. Durer's travels informed some of his most exciting and engaging works, and their visual legacy extended far beyond his lifetime and throughout the continent. Exhibition: The National Gallery, London, UK(06.03.13.06.2021) / Suermondt-Ludwig Museum, Aachen, Germany (18.07.-24.10.2021)